
Martin Scorsese, who will turn 70 this year but has never been more active than in the last few years (or so it feels) between his features, tv pilots, documentaries and ads) gave an extensive interview to fastcocreate last December during which he apparently mentioned 85 films that influenced him to become Martin Scorsese.

Without surprise, many of them are contemporary to his youth, the latest movie being Kansas City, released in 1996.
In other words, it has been almost 20 years than Scorsese has not seen a movie that impacted him so much that it deeply changed who he was. Not to say that there hasn’t been any great movies in the last two decades, but I think the older we get the more filters we have to apprehend a story in general, and that might be the reason. (or not)

His list is interesting to me because a) I don’t know half of his titles (and I say so shamelessly) and b) I am pretty sure the majority of my influential movies are coming from the last two decades (and much more opened to an International cinema vs America/Italy), so I see it as an opportunity to expand my horizon.
Maybe it will inspire you too.

Note that if Scorsese mentioned 85 movies, only 45 directors are behind them. Heavily influenced by the Italian neo-realism, his top 10 directors are: Roberto Rosselini (9), Orson Welles (6), Robert Altman (6), Vincente Minelli (5), Luchino Visconti (5), Michael Powell (4), Frank Capra (4), Francis Ford Coppola (3), Anthony Mann (3), Samuel Fuller (3).
In Chronological Order:
- [1903] The Infernal Cakewalk, directed by George Melies
- [1912] Secrets of the Soul, directed by Vincenzo Denizot
- [1921] The Four Horseman of the Apocalypse, directed by Rex Ingram
- [1933] The Power and the Glory, directed by William K. Howard
- [1934] It Happened One Night, directed by Frank Capra
- [1936] Mr. Deeds Goes to Town, directed by Frank Capra
- [1939] Mr. Smith Goes to Washington, directed by Frank Capra
- [1939] The Roaring Twenties, directed by Raoul Walsh
- [1939] Stagecoach, directed by John Ford
- [1941] Citizen Kane, directed by Orson Welles
- [1941] How Green Was My Valley, directed by John Ford
- [1941] Sullivan’s Travels, directed by Preston Sturges
- [1942] Cat People, directed by Jacques Tourneur
- [1944] Arsenic and Old Lace, directed by Frank Capra
- [1945] Rome, Open City, directed by Roberto Rossellini
- [1946] Duel in the Sun, directed by King Victor
- [1946] Paisa, directed by Roberto Rossellini
- [1946] A Matter of Life and Death, directed by Michael Powell
- [1946] Gilda, directed by Charles Vidor
- [1947] The Lady from Shanghai, directed by Orson Welles
- [1947] T-Men, directed by Anthony Mann
- [1948] Raw Deal – Anthony Mann
- [1948] The Red Shoes, directed by Michael Powell
- [1948] Germany Year Zero, directed by Roberto Rossellini
- [1948] Force of Evil, directed by Abraham Polonsky
- [1948] I Walk Alone, directed by Byron Haskin
- [1948] La Terra Trema, directed by Luchino Visconti
- [1948] Macbeth, directed by Orson Welles
- [1949] Caught, directed by Max Ophüls
- [1949] The Third Man, directed by Carol Reed
- [1950] Stromboli, directed by Roberto Rossellini
- [1950] Night and the City, Jules Dassin
- [1950] The Flowers of St. Francis, directed by Roberto Rossellini
- [1950] Gun Crazy, directed by Joseph H. Lewis
- [1951] The Magic Box, directed by John Boulting
- [1951] Tales of Hoffman, directed by Michael Powell
- [1951] Ace in the Hole, directed by Billy Wilder
- [1951] An American in Paris, directed by Vincente Minnelli
- [1952] Europa ’51, directed by Roberto Rossellini
- [1952] The Bad and the Beautiful, directed by Vincente Minnelli
- [1952] Othello, directed by Orson Welles
- [1953] Pickup on South Street, directed by Samuel Fuller
- [1953] Julius Caesar, directed by Joseph L. Mankiewicz
- [1953] The Band Wagon, directed by Vincente Minnelli
- [1953] House of Wax, directed by Andre de Toth
- [1954] Journey to Italy, directed by Roberto Rossellini
- [1954] Dial M for Murder, directed by Alfred Hitchcock
- [1954] Senso, directed by Luchino Visconti
- [1955] All That Heaven Allows, directed by Douglas Sirk
- [1955] Kiss Me Deadly, directed by Robert Aldrich
- [1957] Forty Guns, directed by Samuel Fuller
- [1957] Sweet Smell of Success, directed by Alexander Mackendrick
- [1958] Some Came Running, directed by Vincente Minnelli
- [1958] Touch of Evil, directed by Orson Welles
- [1959] Shadows, directed by John Cassavetes
- [1960] Rocco and his Brothers, directed by Luchino Visconti
- [1960] Peeping Tom, directed by Michael Powell
- [1961] One, Two, Three, directed by Billy Wilder
- [1961] The Hustler, directed by Robert Rossen
- [1962] The Trial, directed by Orson Welles
- [1962] Two Weeks in Another Town, directed by Vincente Minnelli
- [1962] Cape Fear, J. Lee Thompson
- [1963] The Leopard, directed by Luchino Visconti
- [1963] Jason and the Argonauts, directed by Don Chaffey
- [1963] Shock Corridor, directed by Samuel Fuller
- [1963] America, America, directed by Elia Kazan
- [1964] The Fall of the Roman Empire, directed by Anthony Mann
- [1966] The Rise of Louis XIV, directed by Robert Rossellini
- [1968] Faces, directed by John Cassavetes
- [1969] Midnight Cowboy, directed by John Schlesinger
- [1971] McCabe & Mrs. Miller, directed by Robert Altman
- [1971] Klute, directed by Alan J. Pakula
- [1972] M*A*S*H, directed by Robert Altman
- [1972] The Godfather, directed by Francis Ford Coppola
- [1974] The Conversation, directed by Francis Ford Coppola
- [1975] Nashville, directed by Robert Altman
- [1975] The Messiah, directed by Robert Rossellini
- [1979] Apocalypse Now, directed by Francis Ford Coppola
- [1980] Health, directed by Robert Altman
- [1980] Heaven’s Gate, directed by Michael Cimino
- [1985] Mishima, directed by Paul Schrader
- [1989] Born on the Fourth of July, directed by Oliver Stone
- [1989] Do The Right Thing, directed by Spike Lee
- [1992] The Player, directed by Robert Altman
- [1996] Kansas City, directed by Robert Altman
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